•
<br />VOL. L. ---NO. 41.
<br />gi9tat�ca Soolety _
<br />11 ��N
<br />AZETT
<br />HASTINGS, MINN.. SATURDAY. JULY 4, 1908.
<br />TheBest Man
<br />By EMELIPIE BARR.
<br />Copyright, 1908, by Associated Lit-
<br />erary Press.
<br />For the first time in his Life John',
<br />Amidon found himself in New York.
<br />It was a warm spring day—much toe
<br />warm and too glorious to spend in
<br />visiting a round of stuffy offices. He
<br />would make a holiday of it and let
<br />business wait until tomorrow.
<br />An inspiration seized him, and after
<br />some search through the various com-
<br />partments of his leather wallet he drew
<br />out a dingy visiting card.
<br />"H'm," he mused. "That's funny.
<br />I was sure I had his address. 'Richard
<br />Malloney,' that's all it says, though,
<br />that's sure."
<br />He put the card back thoughtfully.
<br />"It was something about Washing-
<br />ton," he reflected.
<br />But the "something" had eluded him
<br />impishly. He drew a map out of his
<br />pocket and studied it carefully. With
<br />an air of triumph he at length pounced
<br />upon the words "Mount Vernon." He
<br />had it!
<br />Should he consult a telephone direct-
<br />ory? What was the use? It would
<br />be more fun to give Dick a surprise.
<br />Dick was just the kind of fellow to
<br />enjoy the unexpected. On the way
<br />out on the train Amidon indulged in
<br />pleasant reminiscences of college days
<br />when he and Dick had been such jolly
<br />good chums. Was it possible a whole
<br />ten years had gone since they had seen
<br />each other?
<br />"But Dick's all right," he solilo-
<br />quized. "It's a great thing to be sure
<br />of a welcome. He'll be just as glad
<br />to see me as I will"—
<br />"Mount Vernon!" shouted the con-
<br />ductor, and Amidon got off hurriedly.
<br />"Can you tell me where Mr. Richard
<br />Malloney lives?" he asked the first per-
<br />son he happened to run into at the
<br />station. Before the person addressed
<br />had time to reply a six-year-old boy
<br />piped up:
<br />"I can."
<br />"Is that so?" returned Amidon gen-
<br />ially. "Well, suppose you show me
<br />then. Will you?"
<br />For answer the knowing one turned
<br />to lead the way importantly. When
<br />he came to the end of the station plat-
<br />form he stopped beside a shining auto-
<br />mobile.
<br />"Get in," he said to Amidon hos-
<br />pitably.
<br />Amidon hesitated.
<br />"Why, thank you, young man," he
<br />replied. "You are very kind, but If
<br />you'll just be good enough to tell me
<br />where Mr. Malloney lives ViI walk
<br />there."
<br />"But we're going right there." Der-
<br />sisted Amidon's personal conductor.
<br />"Mr. Richard Malloney is my Lather.
<br />I'm Richard Malloney, Jr., you know."
<br />In spite of his amazement Amidon
<br />was alert enough to be conscious of
<br />the chauffeur's silent chuckling. Rich-
<br />ard Malloney, Jr., was proving a most
<br />unexpectedly sprightly pilot It might
<br />be well before committing oneself ir-
<br />revocably to his management to ask
<br />a few definite questions. So Amidon
<br />addressed the amused chauffeur.
<br />"I arrived from town on this last
<br />train," he stated. "Can you tell me
<br />if Mr. Malloney is at home?'
<br />"Very sorry, sir," returned the chauf-
<br />feur civilly. "He's just started for
<br />town himself."
<br />"And—Mrs. Malloney?'
<br />"She went with him, sir."
<br />Amidon reflected a moment.
<br />"Barbara's home," volunteered Mal-
<br />loney junior.
<br />Amidon's face lighted instantly. Bar-
<br />bara—that was Dick's sister, of course.
<br />He remembered, but this was no time
<br />for reminiscences.
<br />"Is she, indeed?' he exclaimed joviai-
<br />ty. "Then I will ran out." And he
<br />jumped in beside Richard.
<br />"Let's see," be mused, hardly con-
<br />scious that he spoke, "how old must
<br />Barbara be now?'
<br />"About thirty," Richard suggested.
<br />Amidon glanced at the chauffeur.
<br />He was quite sure he was chuckling
<br />again.
<br />"About thirty?" repeated Amidon.
<br />"It doesn't seem possible."
<br />"She's grown up awful fast," Rich-
<br />ard commented. "She was only just a
<br />girl when she went away to school,
<br />but now she does her hair up and stays
<br />up evenings. I wish I was thirty."
<br />This yearning was accompanied by
<br />a very genuine sigh, but Amidon bad
<br />quite forgotten to listen to the child's
<br />prattle. His own thoughts were more
<br />absorbing.
<br />Had he or had he not met Dick's sis-
<br />ter? So many fellows at college had
<br />sister's! If so, what bad she looked
<br />like? She must have been very young
<br />—and to think of Dick's being married
<br />and never letting him know—more
<br />than that, to think of there being a
<br />Richard Malloney, Jr.!
<br />"Here we are," exclaimed the boy,
<br />"and there's Barbara on the porch.
<br />Hoo-oo!"
<br />Barbara came to the top of the steps,
<br />looking at Amidon curiously.
<br />As for Amidon, he was seized with a
<br />panic of misgivings. Surely, if he had
<br />ever in his life seen that girl, no mat-
<br />ter bow many years ago, he would
<br />never have forgotten her.
<br />But he must say something, for
<br />young Richard had already climbed
<br />out of the machine and announced,
<br />"Here's a man to see yon, Barbara,"
<br />introduction that
<br />Mangy
<br />Amidon braced himself.
<br />"I am John Amidon" he stated sim-
<br />ply, standing below her, with hat in
<br />hand. "Your brother and I were
<br />friends at college. I hoped to find hitt
<br />here."
<br />To bis attonishment Barbara ]lurei
<br />out laughing, revealing -two very beau
<br />tiful dimples in her glowing cheeks
<br />She recovered herself with evident et
<br />fort.
<br />"I beg your pardon, Mr. Aalldoa
<br />There must be some mistake. You see,
<br />this is my only brother," she said at
<br />she lifted Richard junior off his feet
<br />and then let him down again with s
<br />suddenness that evidently tickled that
<br />young man's fancy.
<br />"Well, it couldn't have been yow
<br />father!" ventured Amidon.
<br />At the absurdity of this suggestion
<br />Barbara and John both laughed hearti-
<br />ly. Then Barbara had an idea.
<br />"Why, of course, you mean Cousin
<br />Dick. Are you a Harvard man?"
<br />John nodded. "Ninety-eight," he in-
<br />formed her.
<br />"How stupid of me not to have
<br />thought of that at once!" Barbara ac-
<br />cused
<br />scused herself. 'But, you see, ' is a
<br />pretty long time ago, and Dick has been
<br />abroad nearly ever since he left col-
<br />lege."
<br />It was all such a ridiculously mixed
<br />up state of affairs—the idea that Cousin
<br />Dick was married and that Richard
<br />junior was his son; that Barbara was
<br />Dick's sister—when in reality, as it
<br />turned out, Dick had no -sister; that,
<br />most comical of all, Barbara was
<br />"about thirty"—well, what was there
<br />to do but to laugh and laugh about lt?
<br />"But how," suddenly broke out Bar-
<br />bara, "did you happen to find us here
<br />in Mount Vernon? Dick's family liven
<br />in New York, you know."
<br />"What part of New York?" asked
<br />John.
<br />"Washington square."
<br />And then followed more explanations
<br />and more laughter.
<br />When Mrs. Malloney returned from
<br />town at luncheon time she found Bar-
<br />bara and John in the midst of an ex-
<br />citing tennis match.
<br />"Who's playing with Barbara?" she
<br />gnestioned Richard junior after several
<br />futile attempts to recognize the young
<br />man.
<br />"A man I brought from the station,"
<br />Richard informed her boestingly.
<br />"Richard, what are you talking about?
<br />What's his name?"
<br />"Barbara will tell you. She likes him.
<br />They've been laughing lots."
<br />The introduction, with its subsequent
<br />explanations, at last over with, Mrs.
<br />Malloney was all charming hospitality.
<br />"Of course you'll come out and stay
<br />with us while you're here, Mr. Ami -
<br />don. The city is so disagreeable In
<br />warm weather. It's a great privilege
<br />to be able to do anything for Dick's
<br />friends. We're all most fond of him.
<br />but he gives us very little chance to
<br />show it You will make this your
<br />headquarters, won't you?"
<br />John Amidon had to hold on to him-
<br />self good and hard. He was so happy
<br />that he feared he would appear over-
<br />zealous In accepting the invitation.
<br />Of course John Amidon fell head over
<br />heels in love with Barbara. Of course
<br />he decided to spend the whole summer
<br />In the east, and, of course, at the end
<br />of the summer he wrote to bis chum,
<br />Dick Malloney, commanding his con -
<br />"You're going to marry Barbara,
<br />aren't you?" asked Richard junior, bob-
<br />bing abruptly out from under the ham-
<br />mock where the lovers were sitting
<br />one evening at twilight
<br />"You bet I am!" exclaimed John,
<br />catching him up affectionately.
<br />"What will I be then," queried the
<br />puzzled Richard, "your cousin or your
<br />"You? Why," said John, laughing,
<br />"you'll be my best man, of course."
<br />A '-GHOST STORY.
<br />The Spectral Horseman That Visits
<br />Wycoller Hall.
<br />This ghost story is contributed by a
<br />correspondent of an English magazine:
<br />"Wycollar Hall, near Colne, was long
<br />the seat of the Cunliffes of Billington.
<br />They were noted persons in their time,
<br />but evil days came, and their ancestral
<br />estates passed out of their hands. In
<br />the days of the commonwealth their
<br />loyalty cost them dear, and ulthnately
<br />they retired to Wycollar with a rem-
<br />nant only of their once extensive prop-
<br />erty. About 1819 the last of the fami-
<br />ly passed away, and the hall is now a
<br />mass of ruins. Little but the antique
<br />fireplace remains entire, and even the
<br />room alluded to In the following
<br />legend cannot now be identified. Tra-
<br />dition says that once every year a
<br />specter horseman visits Wycollar Hall.
<br />He Is attired In the costume of the
<br />early Stuart period, and the trappings
<br />of his horse are of a most uncouth de-
<br />scription.
<br />"On the evening of his visit the
<br />weather Is always wlld and tempestu-
<br />ous. There Is no moon to light the
<br />lonely roads, and the residenb of the
<br />district do not venture out of their
<br />cottages. When the wind howls loud-
<br />est the horseman can be beard dash-
<br />ing up the road at full speed, and, aft-
<br />er'crossing the narrow bridge, he sud-
<br />denly stops at the door of the hall.
<br />The rider then dismounts and makes
<br />his way up the broad oaken stairs into
<br />one of the rooms of the house. Dread-
<br />ful screams, as from a woman. are
<br />then beard, which soon subside into
<br />groans. The horseman then makes his
<br />appearance at the door, at once mounts
<br />his steed and gallops off.
<br />"Ills body can be seen through by
<br />those who may chance to be present;
<br />his horse appears to be wild with rage,
<br />and its nostrils stream with fire. The
<br />tradition is that one of the Cunllffes
<br />murdered Isla wife lo that room and
<br />that the specter horseman is the ghost
<br />of the murderer, who is doomed to pay
<br />an annual visit to the home of his
<br />victim. She is saidto have predicted
<br />the extinction of the family, which,
<br />according to the story, has been liter-
<br />ally fulfilled."
<br />The Cruelty of Thoughtlessness.
<br />Most of the cruelty of the world is
<br />thoughtless cruelty. Very few people
<br />would intentionally add to another's
<br />load or make his burden In life heavier
<br />or his path rougher. Most of the great
<br />heart wounds are inflicted by thought-
<br />less thrusts, flung out often in a mo-
<br />ment of anger, when perhaps we were
<br />too proud to apologise or to try to heal
<br />the grievous wounds we bad made.
<br />Can anything be more cruel than to
<br />discourage a soul who le struggling to
<br />do the best he can, to throw stumbling
<br />blocks in the path of those who are
<br />trying to get on in the world against
<br />great odds?
<br />No life is just the same after you
<br />have once touched it. Will you leave
<br />a ray of hope or one of despair, a dash
<br />of light or a Bomber cloud across some
<br />dark life each day? Will you by
<br />thoughtless cruelty deepen the shadow
<br />which hangs over the life, or will you
<br />by kindness dispel it altogether? No
<br />matter how you feel or what is dis-
<br />turbing your peace of mind, never al-
<br />low yourself to send out a discourag-
<br />ing, a cruel or an unkind word or
<br />thought.—Success Magazine. -
<br />Greatness.
<br />There is a kind of elevation which
<br />does not depend on fortune. It is a
<br />certain air which distinguishes us and
<br />seems to destine us for great things.
<br />It is a price which we imperceptibly
<br />set on ourselves. By this quality we
<br />usurp the deference of other men, and
<br />it puts us, In general, more above them
<br />than birth, dignity or even merit Itself.
<br />—La Rochefoucauld.
<br />Conceded Fitness.
<br />'This 'Oates Ajar' design is a hand-
<br />some one," said the tombstone man.
<br />"It L just what I want," said the
<br />widow. "He never shut a door in all
<br />THE CRITICS.
<br />These Observers Were Wholly Per-
<br />sonal In Their Judgments.
<br />'The critical faculty is rare," said
<br />an editor and critic at a Philadelphia
<br />art club. "It must be impersonal. But
<br />most of us Incline to be wholly per-
<br />sonal in our criticism. The tact was
<br />brought home to me at one of tbe exhi-
<br />bitions at the Academy of Fine Arts.
<br />"Passing from picture to picture, 1
<br />overheard many criticisms. Thus a
<br />lady in a rich gown said:
<br />"'What a superb portrait of a young
<br />girl! It should certainly win the Car-
<br />negie prize. it is easy to see that the
<br />gown was made by Paquin.'
<br />"A fat, red nosed man in a fur lined
<br />overcoat halted before a picture enti-
<br />tled 'The Luncheon.'
<br />"'This still lite,' he exclaimed. 'is
<br />the most admirable 1 have ever seen.
<br />Terrapin, canvasback, champagne. lob.
<br />ster, even Perigord pie— ab. what a
<br />genius.'
<br />"'In this historical painting.' I beard
<br />en antiquary say, 'the costumes ere ne•
<br />curate in every detail. The painter Is a
<br />second Raphael,'
<br />"'That horse there,' said a ; ot:ng
<br />polo player, 'is exactly like my i' e!a
<br />iokus. It's the best picture in the es
<br />hibition.'
<br />"An athlete uttered a cry of deelight
<br />before a daub called 'The t;Indla'ur'
<br />"'What shoulders! Whet arine!' he
<br />said. 'I bet anything the jury gived
<br />this painting the highest n ward.'
<br />"And half the throng. departing. +ald
<br />"'The picture to the last room 1: the.
<br />beet No, we didn't -see it—couldn't gel
<br />to it, In fact—but it draws tar and
<br />away the biggest crowd.' "
<br />THE DUCKING STOOL
<br />Hew a "Scold" Used to Be Punished In
<br />Old England.
<br />It is interesting to conjure up a pic-
<br />ture of a "ducking" as practiced In
<br />England at the end of the eighteenth
<br />century.
<br />When the "scold" bad been properly
<br />tried and convicted:like was escorted
<br />by a crowd of her neighbors—In fact,
<br />by the whole village -to the nearest
<br />pond, and the greener and slimier the
<br />pond the better. A long plank was
<br />produced, at one end of which was the
<br />ducking stool, and In this the scream -
<br />Ing, struggling victim was securely pin-
<br />ioned.
<br />The chair end of tbe plank was then
<br />pushed far over the edge of the pond,
<br />and at a signal it was tilted deep into
<br />the green ooze until the scold was
<br />completely Immersed:'
<br />When the dripping, halt drowned wo-
<br />man was raised to„the surface again
<br />to the jeers and laughter of the on-
<br />lookers it can be imaglued that her
<br />tongue wagged to some purpose. Aft-
<br />er a second dose she emerged more
<br />subdued, and after a third or fourth
<br />she was as penitent a woman ns the
<br />village contained and was allowed to
<br />proceed home a sadder and wiser wo-
<br />man until the next time.—London Tlt-
<br />Bats.
<br />Mole Superstitions.
<br />According to traditlou, if you have a
<br />mole on your chin you may expect to
<br />be wealthy, while if you have it un-
<br />der your arm It promises you wealth
<br />and honor as well. A mole on the
<br />ankle indicates courage. On the left
<br />temple a mole indicates that you will
<br />and friends among the great ones of
<br />the earth, but if it be placed on the
<br />right temple It warns you of coming
<br />distress. A mole on a man's knee
<br />means that he may expect to marry a
<br />rich woman. A mole on the neck
<br />promises wealth. If you have a mole
<br />on your nose you are going to be a
<br />great traveler. A mole on the throat
<br />indicates health and wealth.
<br />The Silent Winners.
<br />Examine our list of presidential can-
<br />didates and see how few of them made
<br />stump speeches.
<br />George Washington made none. "'
<br />Thomas Jefferson made none.
<br />John Adams, John Quincy Adams,
<br />James Madison, James Monroe made
<br />none.
<br />Neither did Andrew Jackson, nor
<br />Martin Van Buren, nor General Harri-
<br />son, nor James K. Polk, nor Franklin
<br />Pierce, nor Jame* Buebaoan.—Telfer'
<br />soman.
<br />DEFIED THE JUDGE.
<br />A Fine For Voting That Susan B. An-
<br />thony Never Paid.
<br />"It has been so many years ago that
<br />most people have forgotten that the
<br />late Susan B. Anthony was fined $100
<br />or a year's imprisonment for having
<br />dared to vote for General Grant for
<br />president," said a Chicago judge.
<br />"Miss Anthony was as brave as she
<br />was intellectual and asked to be al-
<br />lowed to speak a word in her own be-
<br />half. Perwlssiou being given, she told
<br />the court of the struggle she had in
<br />keeping a little newspaper going from
<br />which she made her living. 'Your hon-
<br />or,' she said, holding up her right hand,
<br />'I am due my creditors not less than
<br />$1,000. Thls money I expect to live to
<br />pay, but I am willing this arm shall
<br />wither from my body before I pay the
<br />$100 you have so unjustly assessed
<br />against me.'
<br />"The court realized the deep serious-
<br />ness of Niles Anthony's declaration,
<br />and though she could have been or-
<br />dered to jail for noupayment of the
<br />tine his honor did not have the nerve
<br />to enforce the extreme penalty. Miss
<br />ony lived for. many< yaam agtagt
<br />its imposition, but the fine was never
<br />paid."—Baltimore American.
<br />A Definition.
<br />"Paw," asked a thoughtful lad, wrin-
<br />kling Mie brow, "what's a pessimist?'
<br />"A pessimist, John 1," replied his
<br />father, "is a man who, after • eyeless
<br />has blown his house away with him la
<br />tt, goes back and grumbles at his lot*
<br />—Puck.
<br />Th. Charges.
<br />Ford—Your lawyer made some
<br />severe charges against the
<br />didn't be? Brown—Y
<br />WHEN FOOD WAS SCARCE.
<br />Prices That Ruled In Paris During the
<br />Siege of 11170.
<br />The following Interesting statement
<br />of the prices that were paid for food
<br />during the stege of 1870 Is taken ver-
<br />bally out of the journal of a French
<br />officer stationed In Paris at the Ume:
<br />"Toward the middle of October we
<br />bad to make up our mind to sacrifice
<br />the animals of tbe zoological garden.
<br />The elephants and many other beasts
<br />were bought by al. Debos, the owner ,
<br />of the English meat shop in Av.
<br />Frlendland. The meat of the elephants
<br />was sold from $10 to $12 a kilogram
<br />(two pounds), the trunk commanding
<br />the highest price, 110 a kilogram. The
<br />trunk and feet were both declared de-
<br />licious by all gormands. In the sam,
<br />shop a pair of young wolves were sold
<br />for $2.60 per pound. The meat was
<br />soft and without taste. The biggest
<br />price was paid for a young live lamb
<br />that had been swiped by a'franctlrenr'
<br />from the enemy. One hundred dollars
<br />was paid for It.
<br />"Here is an exact price list of some
<br />victuals toward the end of the siege:
<br />Two pounds of horseflesh 3.00
<br />One ham 18.00
<br />A whole cat 5.00
<br />A rabbit -r 10.00
<br />One turkey 30.00
<br />Ono egg 1.00
<br />A rat .50
<br />A pigeon 3.00
<br />Ono pound of butter COO
<br />A pound of beans 1.60
<br />A peck of carrots 7.00
<br />Ono cabbage head 7.00
<br />Cobra's Fatal Bite.
<br />One of the deadliest snakes in India
<br />is the cobra, which claims hundreds of
<br />victims every year. Au English otli-
<br />cial once saw one bite a fowl, and, be-
<br />ing curious to learn how long the ven-
<br />om took to act, he timed it with his
<br />watch. The moment the cock was
<br />touched it screamed, but at once ran
<br />oft to its mates and began picking as
<br />if nothing were wrong. In thirty sec-
<br />onds the comb and wattles changed
<br />from red to black. In two minutes it
<br />began to stagger and fell down in con-
<br />vulalons, struggliug violently until it
<br />died, three minutes and a halt after it
<br />had been bitten. On plucking the fowl
<br />a wound not bigger than a pin prick
<br />was found at the extreme end of the
<br />wing. Round this spot the color was
<br />very dark, but the rest of the bird's
<br />body, excepting comb and wattles, was
<br />of a natural color.
<br />The Bribe That Failed.
<br />Among Father Dempsey's steady
<br />boarders was a fellow named Delaney.
<br />He was drunk as often as he could
<br />get that way. Father Dempsey tried
<br />all manner of means to get Delaney
<br />to quit drinking. At last be said to
<br />him:
<br />"Delaney, my man, if you'll stop
<br />drinking for six months I'll give you a
<br />check at the end of that time for $60."
<br />"Indeed, if I stopped for six months
<br />I could write you a check for $100,"
<br />answered Delaney, and Father Demp-
<br />sey in teiling of 1t later added:
<br />"And indeed be could, too, for he's a
<br />No. 1 mechanic."—St. Louis Post -Dis-
<br />patch.
<br />A Rapid Rhymer.
<br />In illustration of the working powers
<br />of George R. Sims, the dramatist and
<br />poet, it 18 said that one night a new
<br />piece was produced at a leading theater
<br />in London. 81ms sat It out and then
<br />returned to his office, where he wrote
<br />a column and a half of criticism in
<br />rhyme. It was near the time for the
<br />paper to go to press when he began,
<br />and the boy took the piece verse by
<br />verse from him to the composing room,
<br />the boy walking continuously from one
<br />to the other for an hour.
<br />Ono stick of celery .60
<br />Wood to burn (100 pound.) 2.00
<br />"Even the rich had to live on the
<br />meagerest diet and to take into their
<br />menu things that till then only the
<br />trapper in the virgin forests was sup-
<br />posed to est. I leave It to you to im-
<br />agine what kind of meals were served
<br />In the small restaurants and boarding
<br />houses.
<br />"Moreover, everybody had to submit
<br />to the strictest orders. People stood in
<br />file before the butcher and baker shops
<br />to watt for their turns. Each household
<br />was furnished with a card from the
<br />municipality authorizing the bearer to
<br />buy a certain amount of meat and
<br />bread. The cook, the housewife, the
<br />young girl, the little child (men never
<br />go shopping In France), were posted for
<br />hours before the shops in rain and
<br />snow, with wet feet, shivering with
<br />cold. The unfortunate ones endured
<br />without a murmur these hardships.
<br />Women throughout the time of the
<br />stege were setting an example ot cour-
<br />age and self abnegation not always fol-
<br />lowed by men,
<br />"It was a sad Sail .f tspectacle.
<br />these long files of women, nearly all
<br />dressed In black, grouped before the
<br />doors of the dealers, watched by the
<br />national guard, with whom they at Brat
<br />were laughing and chatting, till the
<br />sufferings from the cold had silenced
<br />the laugh aud solnetimes brought forth
<br />the tears.
<br />"Ilut In spite of all precautions the
<br />stores one by one were exhausted, the
<br />provisions, put In tow late before the
<br />siege, were used nap, and. while the bit.
<br />hies, deprived of milk, died In great
<br />numbers or, fed on sweet wine and
<br />bread, pined slowly away, the big pen
<br />pie trial to Dud now resources to pro
<br />long their lives."
<br />A Hint to the Old Min.
<br />"I hope you appreciate the fact, sir,
<br />that in marrying my daughter you
<br />marry a large hearted and generous
<br />girl."
<br />"I do, sir," with emotion, "and I hope
<br />she inherits those qualities from her
<br />father."
<br />Expressive.
<br />One morning when little Edna's
<br />mamma came down to breakfast she
<br />was so hoarse she could scarcely
<br />speakOh, mamma," cried Edna, "what a
<br />sora voice you've gotr—Cblcago News.
<br />She Lost Her Shoo.
<br />While in Samoa Robert Louis Steven-
<br />son and his wife In a great measure
<br />did as the Romans did—that is to say,
<br />as the Samoans did. It was Louis'
<br />custom to ire abed late of a morning
<br />and spend tbe remainder of the time
<br />under a tree on the hill clad In light
<br />pajamas, the dress of the native Ka-
<br />aaka. With his wife it was the same.
<br />Stays were unknown to her and a curl-
<br />ing iron a dim recollection of a shady
<br />past It was while Stevenson and his
<br />wife were living at Apia, in Samoa,
<br />that Mr. Heywood was appointed con-
<br />sul there for this country. Shortly
<br />after his arrival in the country he ar-
<br />ranged for a reception to the English,
<br />German and American residents of the
<br />country that they might meet him in
<br />his official capacity and he them as
<br />"citizens of Samoa." Of course an in-
<br />vitation was sent Robert Louis Steven-
<br />son and his wife. Two days before the
<br />date of the function Mr. Heywoodwas
<br />surprised to receive a note from Mr.
<br />Stevenson sent by courier. The note
<br />read as follows:
<br />Mrs. Robert Louts Stevenson and Rob-
<br />ert Lours Stevenson accept Consul Hey -
<br />wood's invitation with pleasure and as-
<br />sure him that they will be present on the
<br />evening of the fid 1f by that Ume lent.
<br />Stevenson finds her other shoe. Ever
<br />thine, ROBERT LOUIS STEVENSON.
<br />Generous Mrs. Crewe.
<br />A gambling story is told of Charles
<br />James Fox that rather reflects on his
<br />honor. He was one of the ardent ad-
<br />mirers of Mrs. Crewe, a noted beauty
<br />of her day, and it is related that a gen-
<br />tleman lost a considerable sum to this
<br />lady at play and, being obliged to
<br />leave town suddenly, gave Mr. Fox the
<br />money to pay her, begging him be apol-
<br />ogize to her for his not having paid
<br />the debt of honor 1n person. Fox lost
<br />every shilling of it before morning.
<br />Mrs. Crewe often met the supposed
<br />debtor afterward and, surprised that
<br />be never noticed the circumstances, at
<br />length delicately hinted the matter to
<br />him.
<br />"Bless mel" said he. "I paid the
<br />money to Mr. Fox three months ago."
<br />"Oh, did you, sir?' said Mrs. Crewe
<br />good naturedly, "Then probably be
<br />paid me, and I forgot it"
<br />Risky Revenge.
<br />Gaganini, `the wonderful violinist,
<br />had a narrow escape at Ferrara from a
<br />violent death. Enraged by some biasing
<br />from the pit, he resolved to avenge the
<br />insult, and at the close of bis pro-
<br />gramme informed the audience that he
<br />would imitate the language of redone
<br />animals. Atter having rendered the
<br />notes of different birds, the mewing of
<br />a cat, and the barking of a dog, be ad-
<br />vanced to the footlights. and. saying,
<br />"This is for those who hissed!" imitat-
<br />ed the braying of an ass. At this the
<br />occupants of the pet rose, rushed on to
<br />the stage and would probably have
<br />killed their caluminator had be not
<br />hastily retreated.
<br />et per Teas t■ Advance.
<br />ARTISTS' BLUNDERS.
<br />A Procession of Monks That Adam and
<br />Eve Enjoyed.
<br />Among the most amusing "breaks"
<br />by artists is a landscape by Turner in
<br />which a rainbow Is depicted behind
<br />the sun. This occasioned almost as
<br />much humorous comment In English
<br />art circles as did the slip of Constant,
<br />the great French artist, who in his
<br />portrait of Queen Victoria painted the
<br />ribbon of the Order of the Garter the
<br />wrong color.
<br />A picture of Adam and Eve in the
<br />garden of Eden hung in the gallery
<br />of the Gesu, in Lisbon, represents the
<br />drat couple as watching a procession
<br />of monks.
<br />In the famous galleries at ientwerp
<br />are certain pictures of old masters in
<br />which the jumble of ideas is as re-
<br />markable ns the technique is tine. In
<br />one picture of heaven the archangels
<br />are armed with bows and arrows, and
<br />in a celebrated painting of "The Mur-
<br />der of the Innocents" the massacre is
<br />represented as taking place in a city
<br />of Holland. The parents of the chil-
<br />dren are stout burghers, the Roman
<br />soldiers are Dutch policemen armed
<br />with muskets, and the Innocent infants
<br />are transformed into solid schoolboys
<br />in bulgy woolen trousers and jackets
<br />and hobnailed shoes.
<br />Ancient Fashion Jargon.
<br />The ..nguage of the fashion plate
<br />and the woman's paper is sufficiently
<br />appalling to the mere ran even in
<br />these days of emancipated and, we
<br />may presume, more grammatical wom-
<br />anhood; but, according to an extract
<br />from a fashion journal of 1787, the jar-
<br />gon of those days was even more as-
<br />tounding. This is how the paper de-
<br />scribed the dress of a certain Mlle. D.
<br />at the opera:
<br />"She appeared in a dress of 'stifled
<br />sighs,' ornamented with 'superfluous
<br />regrets,' the bodice cut 1n a 'perfect
<br />candor' point and trimmed with 'in-
<br />discreet t•omplaints.' Her hair was
<br />dressed in 'sustained sentiments,' with
<br />a headdress of 'sustained conquest,'
<br />ornamented with several 'flyaway.'
<br />and 'downcast eye' ribbons, and her
<br />collar was 'beggar on horseback' color."
<br />No doubt all these marvelous terms
<br />conveyed some meaning to the fash-
<br />ionable woman of the days when
<br />French society danced on the edge of
<br />the volcano of 1789, but to their de-
<br />scendants of today they have abso-
<br />lutely no meaning.
<br />Fixing His Status.
<br />A waiter spilled some soup on the
<br />clothing of a portly, cbolte'lc old gentle-
<br />man dining with bis wife in au up-
<br />town lobster palace the other night,
<br />whereupon the old gentleman jumped
<br />to his feet and, calling the tanager,
<br />bunt Into a tirade which ended with
<br />the somewhat anticllmatic charge that
<br />the wetter was "uo gentleman."
<br />"This man is oot supposed to be a
<br />gentleman," said the manager coldly.
<br />"He is merely a watt r." --New York
<br />Press.
<br />Warnings For the Wise.
<br />Extremely Prosperous. You know the first signpost on the
<br />Mrs.-Brown—Is your husband's bust- Great Main road? "When a woman
<br />nom growing? Mra. Smith- Ob. dear advertises that she is vletgooe, a man gamma mu be die Tsad is
<br />The First Hello Girl.
<br />They were seated around a table
<br />in a well known cafe, and the conver-
<br />sation bad turned upon the develop-
<br />ment of the flying machine and other
<br />fruits of the inventive genius of the
<br />day.
<br />"Tut, tut!" exclaimed a solemn faced,
<br />lantern jawed member of the party.
<br />"What of 1t? The old folks were not
<br />so slow. Look at the telephone, claim-
<br />ed as a modern invention. Why, say,
<br />It's the oldest on record."
<br />"You better see your doctor. What's
<br />the matter with you?' asked another.
<br />"Oh, I mean it," said the solemn
<br />faced man. "Telephone service dates
<br />back to the garden of Eden—that's
<br />where 1t originated. The garden's
<br />call was 2-8-1 Apple"
<br />Then be dodged tbe remnant ot a
<br />sandwich, reached for his hat and was
<br />gone,—New York Globe.
<br />The insufferable Anticipation.
<br />A young Scotch emigrant was
<br />brought before the magistrate of a
<br />Nova Scotia court, charged with hav-
<br />ing deserted his work on a certain
<br />farm without giving due notice to his
<br />employer. When asked what he had
<br />to say in his defense, he replied, "Weel,
<br />they gied me nout but brakeshaw to
<br />eat" Brakesbaw, it may be explained,
<br />is the flesh of animals which have died
<br />a natural death. "How was that?'
<br />asked the magistrate. "Weel, it was
<br />this way. Ye ken, the auld coo deed
<br />an' we ate 1t, the auld steg (gander)
<br />deed an' we ate it, the auld goo (sow)
<br />deed an' we ate it, the auld bubblejock
<br />deed an' we ate it Then the old wo-
<br />man deed—an' I lett"—Beliman.
<br />SOMNAMBULISM.
<br />Some of the Curious Things Done by
<br />Sleepwalkers.
<br />Many years ego an archbishop of
<br />Bordeaux attested the case of a young
<br />ecclesiastic who was in the habit of
<br />getting up during the night in a state
<br />of somnambulism and, taking pen,
<br />ink and paper, composing and writ-
<br />ing his sermons. When he finished one
<br />page he would read and correct it. In
<br />order to ascertain whether the som-
<br />nambulist made use of his eyes the
<br />archbishop held a piece of pasteboard
<br />under his chin to prevent his seeing
<br />the paper upon which he was writing,
<br />but he continued to write on without
<br />being In the least inconvenienced.
<br />It is related of Negretti, a sleepwalk.
<br />er, that be would sometimes carry a
<br />lighted candle, as 1f to give him light
<br />in his employment, but on a bottle
<br />being substituted he took it and carried
<br />It without apparently noticing the dif-
<br />ference.
<br />Another somnambulist would dress
<br />in his sleep and go to the cellar, where
<br />It was pitch dark, and draw wine from
<br />the cask without walking into anything
<br />and without spilling a drop of the
<br />wine, 'but it be happened to awake in
<br />the cellar be had great difficulty in
<br />groping his way out.—Exchange.
<br />Hindoo Confectionery.
<br />Like the American girls, Hindoo
<br />girls are passionately fond of sweet
<br />things. One of their candles, Badu, L
<br />very much ilke our plain sugar candy.
<br />It Is made of augar and milk and fla-
<br />vored with attar of roses. Buddhlka-
<br />bal, or hair of Buddha, Is one of their
<br />most popular sweetmeats. It is so
<br />called because it Lin tine, long strings
<br />Ilke vermicellL This is made of sugar
<br />and cream from buffalo's milk. which
<br />is exceedingly rich.
<br />A Queer Twist.
<br />The late Blsbop T. II. Dudley of
<br />Kentucky declared that be was indebt-
<br />ed to a mountaineer of that state for
<br />the most ungrammatical sentence be
<br />ever heard. This L it:
<br />"Them three Miss Blake are three of
<br />as pretty a gal u I ever see."
<br />Another Kind.
<br />When Johnny Hobbs left his home
<br />up among the New Hampshire bllls to
<br />visit his grandmother in Worcester,
<br />Mass., be was cautioned by Ws mother
<br />that he would find things in the city
<br />strangely different from those at home.
<br />Johnny arrived in the early after.
<br />noon, and long before tea time bis
<br />grandmother, who lived most simply,
<br />told him to run out to the pantry and
<br />get a bowl of milk which she had lett
<br />there "for a hungry boy."
<br />A moment later she followed him
<br />and, to her amazement, beheld her
<br />grandson bravely at work on a bowl
<br />of spearmint tea which she had forget-
<br />fully put in the place where she bad
<br />told him to find the milk.
<br />"Why, child," she cried, seizing the
<br />bowl from poor Johnny, "don't you
<br />know this isn't milk?"
<br />"I --I knew it wasn't like Hillbury
<br />milk," stammered Johnny, with a final
<br />gulp, "but I thought maybe it was the
<br />kind folks bad in Worcester."
<br />Beau Brummel Reprimanded.
<br />Beau Brummel once insolently re-
<br />plied to an invitation to take tea by
<br />remarking that he never "took" any-
<br />thing but physic.
<br />"Yes, you do," frowned his hostess;
<br />"you take liberties."
<br />Playful Otters.
<br />Otters are the most playful
<br />of ail
<br />the animals, romping, wrestling play-
<br />ing tug of war with a stick instead of
<br />a rope and sliding dowahfl on a slip-
<br />pery incline of mud which they make
<br />themselves.
<br />A Musical Spider.
<br />The extraordinary musical sensitive-
<br />ness of spiders has several times been
<br />proved. Every one has heard of Pel-
<br />lisson's spider. Consoler of the unfor-
<br />tunate prisoner, it perished because it
<br />listened too closely to the captives vio-
<br />lin. The jailer saw it and crushed it
<br />brutally. Gretry, the composer, speaks
<br />of a favorite spider which descended
<br />along its thread upon his piano as soon
<br />u he played it. When giving recitals
<br />at Brussels Rubinstein saw a large
<br />'spider issue from the floor of the plat-
<br />form and listen to the music. He gave
<br />three concerts at the same hall, and
<br />on each occasion the spider appeared.
<br />—Paris Revue.
<br />Sailing Clubs.
<br />The first sailing club was probably
<br />tbe Cork Harbor Water club, now
<br />known as the Royal Cork Yacht club,
<br />established in the year 1720. The ves-
<br />sels were small, and from that period
<br />until early in the nineteenth century
<br />yachting developed but slowly. In
<br />1812 the Cowes Yacht club was found-
<br />ed with some fifty -Ove yachtsmen.
<br />Since that date yachting associations
<br />have rapidly grown in numbers and
<br />strength all over Europe and America.
<br />—New York American.
<br />Squelched.
<br />Prosperous Young Actor (returning
<br />tired after a matinee and evening per-
<br />formance of successful play)—Ah, dear
<br />boys, I really think it's time all good
<br />actors were in bed. Grumpy Trage-
<br />dian (looking up from his paper)—They
<br />ars.—Life.
<br />One Cure,
<br />"I believe I'll rock the boat," de-
<br />clared the man In the stern.
<br />"Don't do it" advised his caravan-
<br />,
<br />. "It might discharge this unloaded,
<br />pistol I have In my jeans."—LonisvUie
<br />ournaL
<br />law. 'a
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