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• <br />VOL. L. ---NO. 41. <br />gi9tat�ca Soolety _ <br />11 ��N <br />AZETT <br />HASTINGS, MINN.. SATURDAY. JULY 4, 1908. <br />TheBest Man <br />By EMELIPIE BARR. <br />Copyright, 1908, by Associated Lit- <br />erary Press. <br />For the first time in his Life John', <br />Amidon found himself in New York. <br />It was a warm spring day—much toe <br />warm and too glorious to spend in <br />visiting a round of stuffy offices. He <br />would make a holiday of it and let <br />business wait until tomorrow. <br />An inspiration seized him, and after <br />some search through the various com- <br />partments of his leather wallet he drew <br />out a dingy visiting card. <br />"H'm," he mused. "That's funny. <br />I was sure I had his address. 'Richard <br />Malloney,' that's all it says, though, <br />that's sure." <br />He put the card back thoughtfully. <br />"It was something about Washing- <br />ton," he reflected. <br />But the "something" had eluded him <br />impishly. He drew a map out of his <br />pocket and studied it carefully. With <br />an air of triumph he at length pounced <br />upon the words "Mount Vernon." He <br />had it! <br />Should he consult a telephone direct- <br />ory? What was the use? It would <br />be more fun to give Dick a surprise. <br />Dick was just the kind of fellow to <br />enjoy the unexpected. On the way <br />out on the train Amidon indulged in <br />pleasant reminiscences of college days <br />when he and Dick had been such jolly <br />good chums. Was it possible a whole <br />ten years had gone since they had seen <br />each other? <br />"But Dick's all right," he solilo- <br />quized. "It's a great thing to be sure <br />of a welcome. He'll be just as glad <br />to see me as I will"— <br />"Mount Vernon!" shouted the con- <br />ductor, and Amidon got off hurriedly. <br />"Can you tell me where Mr. Richard <br />Malloney lives?" he asked the first per- <br />son he happened to run into at the <br />station. Before the person addressed <br />had time to reply a six-year-old boy <br />piped up: <br />"I can." <br />"Is that so?" returned Amidon gen- <br />ially. "Well, suppose you show me <br />then. Will you?" <br />For answer the knowing one turned <br />to lead the way importantly. When <br />he came to the end of the station plat- <br />form he stopped beside a shining auto- <br />mobile. <br />"Get in," he said to Amidon hos- <br />pitably. <br />Amidon hesitated. <br />"Why, thank you, young man," he <br />replied. "You are very kind, but If <br />you'll just be good enough to tell me <br />where Mr. Malloney lives ViI walk <br />there." <br />"But we're going right there." Der- <br />sisted Amidon's personal conductor. <br />"Mr. Richard Malloney is my Lather. <br />I'm Richard Malloney, Jr., you know." <br />In spite of his amazement Amidon <br />was alert enough to be conscious of <br />the chauffeur's silent chuckling. Rich- <br />ard Malloney, Jr., was proving a most <br />unexpectedly sprightly pilot It might <br />be well before committing oneself ir- <br />revocably to his management to ask <br />a few definite questions. So Amidon <br />addressed the amused chauffeur. <br />"I arrived from town on this last <br />train," he stated. "Can you tell me <br />if Mr. Malloney is at home?' <br />"Very sorry, sir," returned the chauf- <br />feur civilly. "He's just started for <br />town himself." <br />"And—Mrs. Malloney?' <br />"She went with him, sir." <br />Amidon reflected a moment. <br />"Barbara's home," volunteered Mal- <br />loney junior. <br />Amidon's face lighted instantly. Bar- <br />bara—that was Dick's sister, of course. <br />He remembered, but this was no time <br />for reminiscences. <br />"Is she, indeed?' he exclaimed joviai- <br />ty. "Then I will ran out." And he <br />jumped in beside Richard. <br />"Let's see," be mused, hardly con- <br />scious that he spoke, "how old must <br />Barbara be now?' <br />"About thirty," Richard suggested. <br />Amidon glanced at the chauffeur. <br />He was quite sure he was chuckling <br />again. <br />"About thirty?" repeated Amidon. <br />"It doesn't seem possible." <br />"She's grown up awful fast," Rich- <br />ard commented. "She was only just a <br />girl when she went away to school, <br />but now she does her hair up and stays <br />up evenings. I wish I was thirty." <br />This yearning was accompanied by <br />a very genuine sigh, but Amidon bad <br />quite forgotten to listen to the child's <br />prattle. His own thoughts were more <br />absorbing. <br />Had he or had he not met Dick's sis- <br />ter? So many fellows at college had <br />sister's! If so, what bad she looked <br />like? She must have been very young <br />—and to think of Dick's being married <br />and never letting him know—more <br />than that, to think of there being a <br />Richard Malloney, Jr.! <br />"Here we are," exclaimed the boy, <br />"and there's Barbara on the porch. <br />Hoo-oo!" <br />Barbara came to the top of the steps, <br />looking at Amidon curiously. <br />As for Amidon, he was seized with a <br />panic of misgivings. Surely, if he had <br />ever in his life seen that girl, no mat- <br />ter bow many years ago, he would <br />never have forgotten her. <br />But he must say something, for <br />young Richard had already climbed <br />out of the machine and announced, <br />"Here's a man to see yon, Barbara," <br />introduction that <br />Mangy <br />Amidon braced himself. <br />"I am John Amidon" he stated sim- <br />ply, standing below her, with hat in <br />hand. "Your brother and I were <br />friends at college. I hoped to find hitt <br />here." <br />To bis attonishment Barbara ]lurei <br />out laughing, revealing -two very beau <br />tiful dimples in her glowing cheeks <br />She recovered herself with evident et <br />fort. <br />"I beg your pardon, Mr. Aalldoa <br />There must be some mistake. You see, <br />this is my only brother," she said at <br />she lifted Richard junior off his feet <br />and then let him down again with s <br />suddenness that evidently tickled that <br />young man's fancy. <br />"Well, it couldn't have been yow <br />father!" ventured Amidon. <br />At the absurdity of this suggestion <br />Barbara and John both laughed hearti- <br />ly. Then Barbara had an idea. <br />"Why, of course, you mean Cousin <br />Dick. Are you a Harvard man?" <br />John nodded. "Ninety-eight," he in- <br />formed her. <br />"How stupid of me not to have <br />thought of that at once!" Barbara ac- <br />cused <br />scused herself. 'But, you see, ' is a <br />pretty long time ago, and Dick has been <br />abroad nearly ever since he left col- <br />lege." <br />It was all such a ridiculously mixed <br />up state of affairs—the idea that Cousin <br />Dick was married and that Richard <br />junior was his son; that Barbara was <br />Dick's sister—when in reality, as it <br />turned out, Dick had no -sister; that, <br />most comical of all, Barbara was <br />"about thirty"—well, what was there <br />to do but to laugh and laugh about lt? <br />"But how," suddenly broke out Bar- <br />bara, "did you happen to find us here <br />in Mount Vernon? Dick's family liven <br />in New York, you know." <br />"What part of New York?" asked <br />John. <br />"Washington square." <br />And then followed more explanations <br />and more laughter. <br />When Mrs. Malloney returned from <br />town at luncheon time she found Bar- <br />bara and John in the midst of an ex- <br />citing tennis match. <br />"Who's playing with Barbara?" she <br />gnestioned Richard junior after several <br />futile attempts to recognize the young <br />man. <br />"A man I brought from the station," <br />Richard informed her boestingly. <br />"Richard, what are you talking about? <br />What's his name?" <br />"Barbara will tell you. She likes him. <br />They've been laughing lots." <br />The introduction, with its subsequent <br />explanations, at last over with, Mrs. <br />Malloney was all charming hospitality. <br />"Of course you'll come out and stay <br />with us while you're here, Mr. Ami - <br />don. The city is so disagreeable In <br />warm weather. It's a great privilege <br />to be able to do anything for Dick's <br />friends. We're all most fond of him. <br />but he gives us very little chance to <br />show it You will make this your <br />headquarters, won't you?" <br />John Amidon had to hold on to him- <br />self good and hard. He was so happy <br />that he feared he would appear over- <br />zealous In accepting the invitation. <br />Of course John Amidon fell head over <br />heels in love with Barbara. Of course <br />he decided to spend the whole summer <br />In the east, and, of course, at the end <br />of the summer he wrote to bis chum, <br />Dick Malloney, commanding his con - <br />"You're going to marry Barbara, <br />aren't you?" asked Richard junior, bob- <br />bing abruptly out from under the ham- <br />mock where the lovers were sitting <br />one evening at twilight <br />"You bet I am!" exclaimed John, <br />catching him up affectionately. <br />"What will I be then," queried the <br />puzzled Richard, "your cousin or your <br />"You? Why," said John, laughing, <br />"you'll be my best man, of course." <br />A '-GHOST STORY. <br />The Spectral Horseman That Visits <br />Wycoller Hall. <br />This ghost story is contributed by a <br />correspondent of an English magazine: <br />"Wycollar Hall, near Colne, was long <br />the seat of the Cunliffes of Billington. <br />They were noted persons in their time, <br />but evil days came, and their ancestral <br />estates passed out of their hands. In <br />the days of the commonwealth their <br />loyalty cost them dear, and ulthnately <br />they retired to Wycollar with a rem- <br />nant only of their once extensive prop- <br />erty. About 1819 the last of the fami- <br />ly passed away, and the hall is now a <br />mass of ruins. Little but the antique <br />fireplace remains entire, and even the <br />room alluded to In the following <br />legend cannot now be identified. Tra- <br />dition says that once every year a <br />specter horseman visits Wycollar Hall. <br />He Is attired In the costume of the <br />early Stuart period, and the trappings <br />of his horse are of a most uncouth de- <br />scription. <br />"On the evening of his visit the <br />weather Is always wlld and tempestu- <br />ous. There Is no moon to light the <br />lonely roads, and the residenb of the <br />district do not venture out of their <br />cottages. When the wind howls loud- <br />est the horseman can be beard dash- <br />ing up the road at full speed, and, aft- <br />er'crossing the narrow bridge, he sud- <br />denly stops at the door of the hall. <br />The rider then dismounts and makes <br />his way up the broad oaken stairs into <br />one of the rooms of the house. Dread- <br />ful screams, as from a woman. are <br />then beard, which soon subside into <br />groans. The horseman then makes his <br />appearance at the door, at once mounts <br />his steed and gallops off. <br />"Ills body can be seen through by <br />those who may chance to be present; <br />his horse appears to be wild with rage, <br />and its nostrils stream with fire. The <br />tradition is that one of the Cunllffes <br />murdered Isla wife lo that room and <br />that the specter horseman is the ghost <br />of the murderer, who is doomed to pay <br />an annual visit to the home of his <br />victim. She is saidto have predicted <br />the extinction of the family, which, <br />according to the story, has been liter- <br />ally fulfilled." <br />The Cruelty of Thoughtlessness. <br />Most of the cruelty of the world is <br />thoughtless cruelty. Very few people <br />would intentionally add to another's <br />load or make his burden In life heavier <br />or his path rougher. Most of the great <br />heart wounds are inflicted by thought- <br />less thrusts, flung out often in a mo- <br />ment of anger, when perhaps we were <br />too proud to apologise or to try to heal <br />the grievous wounds we bad made. <br />Can anything be more cruel than to <br />discourage a soul who le struggling to <br />do the best he can, to throw stumbling <br />blocks in the path of those who are <br />trying to get on in the world against <br />great odds? <br />No life is just the same after you <br />have once touched it. Will you leave <br />a ray of hope or one of despair, a dash <br />of light or a Bomber cloud across some <br />dark life each day? Will you by <br />thoughtless cruelty deepen the shadow <br />which hangs over the life, or will you <br />by kindness dispel it altogether? No <br />matter how you feel or what is dis- <br />turbing your peace of mind, never al- <br />low yourself to send out a discourag- <br />ing, a cruel or an unkind word or <br />thought.—Success Magazine. - <br />Greatness. <br />There is a kind of elevation which <br />does not depend on fortune. It is a <br />certain air which distinguishes us and <br />seems to destine us for great things. <br />It is a price which we imperceptibly <br />set on ourselves. By this quality we <br />usurp the deference of other men, and <br />it puts us, In general, more above them <br />than birth, dignity or even merit Itself. <br />—La Rochefoucauld. <br />Conceded Fitness. <br />'This 'Oates Ajar' design is a hand- <br />some one," said the tombstone man. <br />"It L just what I want," said the <br />widow. "He never shut a door in all <br />THE CRITICS. <br />These Observers Were Wholly Per- <br />sonal In Their Judgments. <br />'The critical faculty is rare," said <br />an editor and critic at a Philadelphia <br />art club. "It must be impersonal. But <br />most of us Incline to be wholly per- <br />sonal in our criticism. The tact was <br />brought home to me at one of tbe exhi- <br />bitions at the Academy of Fine Arts. <br />"Passing from picture to picture, 1 <br />overheard many criticisms. Thus a <br />lady in a rich gown said: <br />"'What a superb portrait of a young <br />girl! It should certainly win the Car- <br />negie prize. it is easy to see that the <br />gown was made by Paquin.' <br />"A fat, red nosed man in a fur lined <br />overcoat halted before a picture enti- <br />tled 'The Luncheon.' <br />"'This still lite,' he exclaimed. 'is <br />the most admirable 1 have ever seen. <br />Terrapin, canvasback, champagne. lob. <br />ster, even Perigord pie— ab. what a <br />genius.' <br />"'In this historical painting.' I beard <br />en antiquary say, 'the costumes ere ne• <br />curate in every detail. The painter Is a <br />second Raphael,' <br />"'That horse there,' said a ; ot:ng <br />polo player, 'is exactly like my i' e!a <br />iokus. It's the best picture in the es <br />hibition.' <br />"An athlete uttered a cry of deelight <br />before a daub called 'The t;Indla'ur' <br />"'What shoulders! Whet arine!' he <br />said. 'I bet anything the jury gived <br />this painting the highest n ward.' <br />"And half the throng. departing. +ald <br />"'The picture to the last room 1: the. <br />beet No, we didn't -see it—couldn't gel <br />to it, In fact—but it draws tar and <br />away the biggest crowd.' " <br />THE DUCKING STOOL <br />Hew a "Scold" Used to Be Punished In <br />Old England. <br />It is interesting to conjure up a pic- <br />ture of a "ducking" as practiced In <br />England at the end of the eighteenth <br />century. <br />When the "scold" bad been properly <br />tried and convicted:like was escorted <br />by a crowd of her neighbors—In fact, <br />by the whole village -to the nearest <br />pond, and the greener and slimier the <br />pond the better. A long plank was <br />produced, at one end of which was the <br />ducking stool, and In this the scream - <br />Ing, struggling victim was securely pin- <br />ioned. <br />The chair end of tbe plank was then <br />pushed far over the edge of the pond, <br />and at a signal it was tilted deep into <br />the green ooze until the scold was <br />completely Immersed:' <br />When the dripping, halt drowned wo- <br />man was raised to„the surface again <br />to the jeers and laughter of the on- <br />lookers it can be imaglued that her <br />tongue wagged to some purpose. Aft- <br />er a second dose she emerged more <br />subdued, and after a third or fourth <br />she was as penitent a woman ns the <br />village contained and was allowed to <br />proceed home a sadder and wiser wo- <br />man until the next time.—London Tlt- <br />Bats. <br />Mole Superstitions. <br />According to traditlou, if you have a <br />mole on your chin you may expect to <br />be wealthy, while if you have it un- <br />der your arm It promises you wealth <br />and honor as well. A mole on the <br />ankle indicates courage. On the left <br />temple a mole indicates that you will <br />and friends among the great ones of <br />the earth, but if it be placed on the <br />right temple It warns you of coming <br />distress. A mole on a man's knee <br />means that he may expect to marry a <br />rich woman. A mole on the neck <br />promises wealth. If you have a mole <br />on your nose you are going to be a <br />great traveler. A mole on the throat <br />indicates health and wealth. <br />The Silent Winners. <br />Examine our list of presidential can- <br />didates and see how few of them made <br />stump speeches. <br />George Washington made none. "' <br />Thomas Jefferson made none. <br />John Adams, John Quincy Adams, <br />James Madison, James Monroe made <br />none. <br />Neither did Andrew Jackson, nor <br />Martin Van Buren, nor General Harri- <br />son, nor James K. Polk, nor Franklin <br />Pierce, nor Jame* Buebaoan.—Telfer' <br />soman. <br />DEFIED THE JUDGE. <br />A Fine For Voting That Susan B. An- <br />thony Never Paid. <br />"It has been so many years ago that <br />most people have forgotten that the <br />late Susan B. Anthony was fined $100 <br />or a year's imprisonment for having <br />dared to vote for General Grant for <br />president," said a Chicago judge. <br />"Miss Anthony was as brave as she <br />was intellectual and asked to be al- <br />lowed to speak a word in her own be- <br />half. Perwlssiou being given, she told <br />the court of the struggle she had in <br />keeping a little newspaper going from <br />which she made her living. 'Your hon- <br />or,' she said, holding up her right hand, <br />'I am due my creditors not less than <br />$1,000. Thls money I expect to live to <br />pay, but I am willing this arm shall <br />wither from my body before I pay the <br />$100 you have so unjustly assessed <br />against me.' <br />"The court realized the deep serious- <br />ness of Niles Anthony's declaration, <br />and though she could have been or- <br />dered to jail for noupayment of the <br />tine his honor did not have the nerve <br />to enforce the extreme penalty. Miss <br />ony lived for. many< yaam agtagt <br />its imposition, but the fine was never <br />paid."—Baltimore American. <br />A Definition. <br />"Paw," asked a thoughtful lad, wrin- <br />kling Mie brow, "what's a pessimist?' <br />"A pessimist, John 1," replied his <br />father, "is a man who, after • eyeless <br />has blown his house away with him la <br />tt, goes back and grumbles at his lot* <br />—Puck. <br />Th. Charges. <br />Ford—Your lawyer made some <br />severe charges against the <br />didn't be? Brown—Y <br />WHEN FOOD WAS SCARCE. <br />Prices That Ruled In Paris During the <br />Siege of 11170. <br />The following Interesting statement <br />of the prices that were paid for food <br />during the stege of 1870 Is taken ver- <br />bally out of the journal of a French <br />officer stationed In Paris at the Ume: <br />"Toward the middle of October we <br />bad to make up our mind to sacrifice <br />the animals of tbe zoological garden. <br />The elephants and many other beasts <br />were bought by al. Debos, the owner , <br />of the English meat shop in Av. <br />Frlendland. The meat of the elephants <br />was sold from $10 to $12 a kilogram <br />(two pounds), the trunk commanding <br />the highest price, 110 a kilogram. The <br />trunk and feet were both declared de- <br />licious by all gormands. In the sam, <br />shop a pair of young wolves were sold <br />for $2.60 per pound. The meat was <br />soft and without taste. The biggest <br />price was paid for a young live lamb <br />that had been swiped by a'franctlrenr' <br />from the enemy. One hundred dollars <br />was paid for It. <br />"Here is an exact price list of some <br />victuals toward the end of the siege: <br />Two pounds of horseflesh 3.00 <br />One ham 18.00 <br />A whole cat 5.00 <br />A rabbit -r 10.00 <br />One turkey 30.00 <br />Ono egg 1.00 <br />A rat .50 <br />A pigeon 3.00 <br />Ono pound of butter COO <br />A pound of beans 1.60 <br />A peck of carrots 7.00 <br />Ono cabbage head 7.00 <br />Cobra's Fatal Bite. <br />One of the deadliest snakes in India <br />is the cobra, which claims hundreds of <br />victims every year. Au English otli- <br />cial once saw one bite a fowl, and, be- <br />ing curious to learn how long the ven- <br />om took to act, he timed it with his <br />watch. The moment the cock was <br />touched it screamed, but at once ran <br />oft to its mates and began picking as <br />if nothing were wrong. In thirty sec- <br />onds the comb and wattles changed <br />from red to black. In two minutes it <br />began to stagger and fell down in con- <br />vulalons, struggliug violently until it <br />died, three minutes and a halt after it <br />had been bitten. On plucking the fowl <br />a wound not bigger than a pin prick <br />was found at the extreme end of the <br />wing. Round this spot the color was <br />very dark, but the rest of the bird's <br />body, excepting comb and wattles, was <br />of a natural color. <br />The Bribe That Failed. <br />Among Father Dempsey's steady <br />boarders was a fellow named Delaney. <br />He was drunk as often as he could <br />get that way. Father Dempsey tried <br />all manner of means to get Delaney <br />to quit drinking. At last be said to <br />him: <br />"Delaney, my man, if you'll stop <br />drinking for six months I'll give you a <br />check at the end of that time for $60." <br />"Indeed, if I stopped for six months <br />I could write you a check for $100," <br />answered Delaney, and Father Demp- <br />sey in teiling of 1t later added: <br />"And indeed be could, too, for he's a <br />No. 1 mechanic."—St. Louis Post -Dis- <br />patch. <br />A Rapid Rhymer. <br />In illustration of the working powers <br />of George R. Sims, the dramatist and <br />poet, it 18 said that one night a new <br />piece was produced at a leading theater <br />in London. 81ms sat It out and then <br />returned to his office, where he wrote <br />a column and a half of criticism in <br />rhyme. It was near the time for the <br />paper to go to press when he began, <br />and the boy took the piece verse by <br />verse from him to the composing room, <br />the boy walking continuously from one <br />to the other for an hour. <br />Ono stick of celery .60 <br />Wood to burn (100 pound.) 2.00 <br />"Even the rich had to live on the <br />meagerest diet and to take into their <br />menu things that till then only the <br />trapper in the virgin forests was sup- <br />posed to est. I leave It to you to im- <br />agine what kind of meals were served <br />In the small restaurants and boarding <br />houses. <br />"Moreover, everybody had to submit <br />to the strictest orders. People stood in <br />file before the butcher and baker shops <br />to watt for their turns. Each household <br />was furnished with a card from the <br />municipality authorizing the bearer to <br />buy a certain amount of meat and <br />bread. The cook, the housewife, the <br />young girl, the little child (men never <br />go shopping In France), were posted for <br />hours before the shops in rain and <br />snow, with wet feet, shivering with <br />cold. The unfortunate ones endured <br />without a murmur these hardships. <br />Women throughout the time of the <br />stege were setting an example ot cour- <br />age and self abnegation not always fol- <br />lowed by men, <br />"It was a sad Sail .f tspectacle. <br />these long files of women, nearly all <br />dressed In black, grouped before the <br />doors of the dealers, watched by the <br />national guard, with whom they at Brat <br />were laughing and chatting, till the <br />sufferings from the cold had silenced <br />the laugh aud solnetimes brought forth <br />the tears. <br />"Ilut In spite of all precautions the <br />stores one by one were exhausted, the <br />provisions, put In tow late before the <br />siege, were used nap, and. while the bit. <br />hies, deprived of milk, died In great <br />numbers or, fed on sweet wine and <br />bread, pined slowly away, the big pen <br />pie trial to Dud now resources to pro <br />long their lives." <br />A Hint to the Old Min. <br />"I hope you appreciate the fact, sir, <br />that in marrying my daughter you <br />marry a large hearted and generous <br />girl." <br />"I do, sir," with emotion, "and I hope <br />she inherits those qualities from her <br />father." <br />Expressive. <br />One morning when little Edna's <br />mamma came down to breakfast she <br />was so hoarse she could scarcely <br />speakOh, mamma," cried Edna, "what a <br />sora voice you've gotr—Cblcago News. <br />She Lost Her Shoo. <br />While in Samoa Robert Louis Steven- <br />son and his wife In a great measure <br />did as the Romans did—that is to say, <br />as the Samoans did. It was Louis' <br />custom to ire abed late of a morning <br />and spend tbe remainder of the time <br />under a tree on the hill clad In light <br />pajamas, the dress of the native Ka- <br />aaka. With his wife it was the same. <br />Stays were unknown to her and a curl- <br />ing iron a dim recollection of a shady <br />past It was while Stevenson and his <br />wife were living at Apia, in Samoa, <br />that Mr. Heywood was appointed con- <br />sul there for this country. Shortly <br />after his arrival in the country he ar- <br />ranged for a reception to the English, <br />German and American residents of the <br />country that they might meet him in <br />his official capacity and he them as <br />"citizens of Samoa." Of course an in- <br />vitation was sent Robert Louis Steven- <br />son and his wife. Two days before the <br />date of the function Mr. Heywoodwas <br />surprised to receive a note from Mr. <br />Stevenson sent by courier. The note <br />read as follows: <br />Mrs. Robert Louts Stevenson and Rob- <br />ert Lours Stevenson accept Consul Hey - <br />wood's invitation with pleasure and as- <br />sure him that they will be present on the <br />evening of the fid 1f by that Ume lent. <br />Stevenson finds her other shoe. Ever <br />thine, ROBERT LOUIS STEVENSON. <br />Generous Mrs. Crewe. <br />A gambling story is told of Charles <br />James Fox that rather reflects on his <br />honor. He was one of the ardent ad- <br />mirers of Mrs. Crewe, a noted beauty <br />of her day, and it is related that a gen- <br />tleman lost a considerable sum to this <br />lady at play and, being obliged to <br />leave town suddenly, gave Mr. Fox the <br />money to pay her, begging him be apol- <br />ogize to her for his not having paid <br />the debt of honor 1n person. Fox lost <br />every shilling of it before morning. <br />Mrs. Crewe often met the supposed <br />debtor afterward and, surprised that <br />be never noticed the circumstances, at <br />length delicately hinted the matter to <br />him. <br />"Bless mel" said he. "I paid the <br />money to Mr. Fox three months ago." <br />"Oh, did you, sir?' said Mrs. Crewe <br />good naturedly, "Then probably be <br />paid me, and I forgot it" <br />Risky Revenge. <br />Gaganini, `the wonderful violinist, <br />had a narrow escape at Ferrara from a <br />violent death. Enraged by some biasing <br />from the pit, he resolved to avenge the <br />insult, and at the close of bis pro- <br />gramme informed the audience that he <br />would imitate the language of redone <br />animals. Atter having rendered the <br />notes of different birds, the mewing of <br />a cat, and the barking of a dog, be ad- <br />vanced to the footlights. and. saying, <br />"This is for those who hissed!" imitat- <br />ed the braying of an ass. At this the <br />occupants of the pet rose, rushed on to <br />the stage and would probably have <br />killed their caluminator had be not <br />hastily retreated. <br />et per Teas t■ Advance. <br />ARTISTS' BLUNDERS. <br />A Procession of Monks That Adam and <br />Eve Enjoyed. <br />Among the most amusing "breaks" <br />by artists is a landscape by Turner in <br />which a rainbow Is depicted behind <br />the sun. This occasioned almost as <br />much humorous comment In English <br />art circles as did the slip of Constant, <br />the great French artist, who in his <br />portrait of Queen Victoria painted the <br />ribbon of the Order of the Garter the <br />wrong color. <br />A picture of Adam and Eve in the <br />garden of Eden hung in the gallery <br />of the Gesu, in Lisbon, represents the <br />drat couple as watching a procession <br />of monks. <br />In the famous galleries at ientwerp <br />are certain pictures of old masters in <br />which the jumble of ideas is as re- <br />markable ns the technique is tine. In <br />one picture of heaven the archangels <br />are armed with bows and arrows, and <br />in a celebrated painting of "The Mur- <br />der of the Innocents" the massacre is <br />represented as taking place in a city <br />of Holland. The parents of the chil- <br />dren are stout burghers, the Roman <br />soldiers are Dutch policemen armed <br />with muskets, and the Innocent infants <br />are transformed into solid schoolboys <br />in bulgy woolen trousers and jackets <br />and hobnailed shoes. <br />Ancient Fashion Jargon. <br />The ..nguage of the fashion plate <br />and the woman's paper is sufficiently <br />appalling to the mere ran even in <br />these days of emancipated and, we <br />may presume, more grammatical wom- <br />anhood; but, according to an extract <br />from a fashion journal of 1787, the jar- <br />gon of those days was even more as- <br />tounding. This is how the paper de- <br />scribed the dress of a certain Mlle. D. <br />at the opera: <br />"She appeared in a dress of 'stifled <br />sighs,' ornamented with 'superfluous <br />regrets,' the bodice cut 1n a 'perfect <br />candor' point and trimmed with 'in- <br />discreet t•omplaints.' Her hair was <br />dressed in 'sustained sentiments,' with <br />a headdress of 'sustained conquest,' <br />ornamented with several 'flyaway.' <br />and 'downcast eye' ribbons, and her <br />collar was 'beggar on horseback' color." <br />No doubt all these marvelous terms <br />conveyed some meaning to the fash- <br />ionable woman of the days when <br />French society danced on the edge of <br />the volcano of 1789, but to their de- <br />scendants of today they have abso- <br />lutely no meaning. <br />Fixing His Status. <br />A waiter spilled some soup on the <br />clothing of a portly, cbolte'lc old gentle- <br />man dining with bis wife in au up- <br />town lobster palace the other night, <br />whereupon the old gentleman jumped <br />to his feet and, calling the tanager, <br />bunt Into a tirade which ended with <br />the somewhat anticllmatic charge that <br />the wetter was "uo gentleman." <br />"This man is oot supposed to be a <br />gentleman," said the manager coldly. <br />"He is merely a watt r." --New York <br />Press. <br />Warnings For the Wise. <br />Extremely Prosperous. You know the first signpost on the <br />Mrs.-Brown—Is your husband's bust- Great Main road? "When a woman <br />nom growing? Mra. Smith- Ob. dear advertises that she is vletgooe, a man gamma mu be die Tsad is <br />The First Hello Girl. <br />They were seated around a table <br />in a well known cafe, and the conver- <br />sation bad turned upon the develop- <br />ment of the flying machine and other <br />fruits of the inventive genius of the <br />day. <br />"Tut, tut!" exclaimed a solemn faced, <br />lantern jawed member of the party. <br />"What of 1t? The old folks were not <br />so slow. Look at the telephone, claim- <br />ed as a modern invention. Why, say, <br />It's the oldest on record." <br />"You better see your doctor. What's <br />the matter with you?' asked another. <br />"Oh, I mean it," said the solemn <br />faced man. "Telephone service dates <br />back to the garden of Eden—that's <br />where 1t originated. The garden's <br />call was 2-8-1 Apple" <br />Then be dodged tbe remnant ot a <br />sandwich, reached for his hat and was <br />gone,—New York Globe. <br />The insufferable Anticipation. <br />A young Scotch emigrant was <br />brought before the magistrate of a <br />Nova Scotia court, charged with hav- <br />ing deserted his work on a certain <br />farm without giving due notice to his <br />employer. When asked what he had <br />to say in his defense, he replied, "Weel, <br />they gied me nout but brakeshaw to <br />eat" Brakesbaw, it may be explained, <br />is the flesh of animals which have died <br />a natural death. "How was that?' <br />asked the magistrate. "Weel, it was <br />this way. Ye ken, the auld coo deed <br />an' we ate 1t, the auld steg (gander) <br />deed an' we ate it, the auld goo (sow) <br />deed an' we ate it, the auld bubblejock <br />deed an' we ate it Then the old wo- <br />man deed—an' I lett"—Beliman. <br />SOMNAMBULISM. <br />Some of the Curious Things Done by <br />Sleepwalkers. <br />Many years ego an archbishop of <br />Bordeaux attested the case of a young <br />ecclesiastic who was in the habit of <br />getting up during the night in a state <br />of somnambulism and, taking pen, <br />ink and paper, composing and writ- <br />ing his sermons. When he finished one <br />page he would read and correct it. In <br />order to ascertain whether the som- <br />nambulist made use of his eyes the <br />archbishop held a piece of pasteboard <br />under his chin to prevent his seeing <br />the paper upon which he was writing, <br />but he continued to write on without <br />being In the least inconvenienced. <br />It is related of Negretti, a sleepwalk. <br />er, that be would sometimes carry a <br />lighted candle, as 1f to give him light <br />in his employment, but on a bottle <br />being substituted he took it and carried <br />It without apparently noticing the dif- <br />ference. <br />Another somnambulist would dress <br />in his sleep and go to the cellar, where <br />It was pitch dark, and draw wine from <br />the cask without walking into anything <br />and without spilling a drop of the <br />wine, 'but it be happened to awake in <br />the cellar be had great difficulty in <br />groping his way out.—Exchange. <br />Hindoo Confectionery. <br />Like the American girls, Hindoo <br />girls are passionately fond of sweet <br />things. One of their candles, Badu, L <br />very much ilke our plain sugar candy. <br />It Is made of augar and milk and fla- <br />vored with attar of roses. Buddhlka- <br />bal, or hair of Buddha, Is one of their <br />most popular sweetmeats. It is so <br />called because it Lin tine, long strings <br />Ilke vermicellL This is made of sugar <br />and cream from buffalo's milk. which <br />is exceedingly rich. <br />A Queer Twist. <br />The late Blsbop T. II. Dudley of <br />Kentucky declared that be was indebt- <br />ed to a mountaineer of that state for <br />the most ungrammatical sentence be <br />ever heard. This L it: <br />"Them three Miss Blake are three of <br />as pretty a gal u I ever see." <br />Another Kind. <br />When Johnny Hobbs left his home <br />up among the New Hampshire bllls to <br />visit his grandmother in Worcester, <br />Mass., be was cautioned by Ws mother <br />that he would find things in the city <br />strangely different from those at home. <br />Johnny arrived in the early after. <br />noon, and long before tea time bis <br />grandmother, who lived most simply, <br />told him to run out to the pantry and <br />get a bowl of milk which she had lett <br />there "for a hungry boy." <br />A moment later she followed him <br />and, to her amazement, beheld her <br />grandson bravely at work on a bowl <br />of spearmint tea which she had forget- <br />fully put in the place where she bad <br />told him to find the milk. <br />"Why, child," she cried, seizing the <br />bowl from poor Johnny, "don't you <br />know this isn't milk?" <br />"I --I knew it wasn't like Hillbury <br />milk," stammered Johnny, with a final <br />gulp, "but I thought maybe it was the <br />kind folks bad in Worcester." <br />Beau Brummel Reprimanded. <br />Beau Brummel once insolently re- <br />plied to an invitation to take tea by <br />remarking that he never "took" any- <br />thing but physic. <br />"Yes, you do," frowned his hostess; <br />"you take liberties." <br />Playful Otters. <br />Otters are the most playful <br />of ail <br />the animals, romping, wrestling play- <br />ing tug of war with a stick instead of <br />a rope and sliding dowahfl on a slip- <br />pery incline of mud which they make <br />themselves. <br />A Musical Spider. <br />The extraordinary musical sensitive- <br />ness of spiders has several times been <br />proved. Every one has heard of Pel- <br />lisson's spider. Consoler of the unfor- <br />tunate prisoner, it perished because it <br />listened too closely to the captives vio- <br />lin. The jailer saw it and crushed it <br />brutally. Gretry, the composer, speaks <br />of a favorite spider which descended <br />along its thread upon his piano as soon <br />u he played it. When giving recitals <br />at Brussels Rubinstein saw a large <br />'spider issue from the floor of the plat- <br />form and listen to the music. He gave <br />three concerts at the same hall, and <br />on each occasion the spider appeared. <br />—Paris Revue. <br />Sailing Clubs. <br />The first sailing club was probably <br />tbe Cork Harbor Water club, now <br />known as the Royal Cork Yacht club, <br />established in the year 1720. The ves- <br />sels were small, and from that period <br />until early in the nineteenth century <br />yachting developed but slowly. In <br />1812 the Cowes Yacht club was found- <br />ed with some fifty -Ove yachtsmen. <br />Since that date yachting associations <br />have rapidly grown in numbers and <br />strength all over Europe and America. <br />—New York American. <br />Squelched. <br />Prosperous Young Actor (returning <br />tired after a matinee and evening per- <br />formance of successful play)—Ah, dear <br />boys, I really think it's time all good <br />actors were in bed. Grumpy Trage- <br />dian (looking up from his paper)—They <br />ars.—Life. <br />One Cure, <br />"I believe I'll rock the boat," de- <br />clared the man In the stern. <br />"Don't do it" advised his caravan- <br />, <br />. "It might discharge this unloaded, <br />pistol I have In my jeans."—LonisvUie <br />ournaL <br />law. 'a <br />